So, in the interest of doing more for this blog, I've decided I'm going to read and comment on aspects of the original Arduin trilogy. My editions are the three-book reprints done a few years ago by Emperor's Choice, which I will note had the unfortunate effect of mis-paginating the reprint text by a page (so that page 1 faces page 2, rather than page 2 facing page 3, and so on). The newer reprint, I understand, puts Hargrave's somewhat random tables and notes in a more coherent order, which may be contrary to the spirit of the whole exercise, but I'm getting ahead of myself.
The book starts with a dedication to the player characters of Arduin, rife with names stolen from Moorcock and Tolkien; it is a tribute that Hargrave found his fantasy world through. He continues with a guarantee to answer any inquiries personally; his home address is printed in the book as a guarantee. It's nothing really that far afield, but it underscores the fact that it was a very personal work, for all its oddness and quirks (which we'll get into).
Actual rules text starts off with a page of notes on overland travel procedure. There is an implied re-write of the reaction chart, with the most aggressive result being a "screaming attack upon your party." This is not in the shape of a table, although there will be plenty to come; it's described narratively, with a separate listing for intelligent foes, who exercise more caution. We also find out that Hargrave was using Dexterity to determine who goes first in combat, describing that a fighter may hit an enemy just before it is struck by magic, which then does its work on the weapon. The procedures are straightforward enough, and there is an offhand reference to using "other roleplaying games" for random encounter charts (i.e., D&D), but an admonition to make your own.
Page two breaks with Gygaxian tradition and instructs the referee not to give experience points for gold or treasure. Instead, the experience rewards are given on a chart, scaling from 50 (figuring out a trap, casting a minor spell, any generally uncalled for or dangerous act) to 400 (dying and coming back). Rewards range from acquiring Satan's pitchfork or nuclear weapons (350) to going down to 1 HP (100), and focus mostly on magic items acquired and spells cast, with combat only coming when you beat a monster worth 4x your hit dice or more.
The next two pages (the book now flips to landscape format, which will happen often enough) run experience charts for Arduin. Unlike OD&D, which capped out with 11, these take characters up to 105th level and beyond. The actual math in the charts is interesting, because it takes quite a different tack than D&D. Where D&D keeps raising numbers by factors of 2 for a number of levels, Arduin prefers to add a new level whenever the total for 3rd is reached, up to a point around or after 10th level, when the number doubles. Somewhere around 20th level it gets doubled again (although the charts stop listing individual levels and go in increments of 5, then 10). It works out that a fighter in D&D with 240,000 XP is 9th level, but in Arduin they are 27th level.
Arduin's experience tables are interesting. Because points come much harder, (although it isn't clear whether standard monster XP is accrued) it makes a certain degree of sense that levels come more easily. Not having run that much at higher levels, I'd be curious to see their impact, although I certainly wouldn't use them with 1 GP=1 XP. There are also more classes listed than are presented in the book. They are: Thief, Slaver, Techno, Courtesan, Assassin, Alchemist, Rune Weaver, Saint, All Outlaws, Warrior, Cleric, Monk, Mage, Illusionist, Druid, Singer or Bard, Ranger, Normal, and Barbarian. The classes in the first Grimoire are Trader, Psychic, Barbarian, Rune Weaver, Techno, Medicine Man, and Witch Hunter. The Trader, Psychic and Witch Hunter all have XP tables with their descriptions. Given the classes that were in D&D use at the time, that leaves us with Slaver, Courtesan, Alchemist, Saint, miscellaneous Outlaws, and Normals without explicit description.
The "Singer or Bard" class is particularly noteworthy. The Bard class from the Strategic Review (reprinted in Best of Dragon #1) is implied, but the "Singer" part actually refers to a class published in the first two issues of Alarums & Excursions, which filled the gap prior to the TSR version.
Level limits follow this. For a game that gets up into 105th level, Arduin doesn't expand the more traditional demihuman level limits too much. The highest numbers are 15th level (Mermaid Mages, Titan Psychics, Gnorc (sic) Warriors and Insect Thieves). Almost every race is on the chart, some with unlimited levels in a few classes, others with almost no classes to be a part of. There is a riotous diversity here - from Hargrave's originals (Saurigs and Phraints, lizard and mantis men respectively), to his hybrid Kobbits and Gnorcs (though not Knoblins) and everything from Titans and Giants down to most types of animals, where Hargrave helpfully explains "Obviously, normal insects and animals are not smart enough to do much of anything, but there are were-creatures and other types that fit the bill, so these guidelines are meant for them." Were-creatures were extremely prolific in early Alarums & Excursions, with one were-fox mage, Brilliant Jade, being a prominent character in several campaign stories, so it's not surprising to see them here. Cave men and Amazons are their own races, with quite restrictive level limits; there are also Uruk-Hai, an indication of Hargrave's tendency to crib bits he liked quite shamelessly from other sources. Personally, I think it'd be interesting to have a cat mage with a human familiar, but that might just be me.
That's just the first five pages of Arduin. It's intriguing, and I do have to say I enjoy the idea of some of the different possibilities open here, but it'd take a bit of doing to get them into a D&D game without upsetting the whole apple cart. Next up will be more race info.